Tag Archives: co-authorship

Co-Authoring with Undergraduates in the Humanities II: Peer Review and Publication

In my last post on co-authoring with undergraduates, I shared my experience collaborating with undergraduate co-authors on a humanities research project. I gained some valuable insights from the process of co-authoring an article that emerged from that project. That post, published in December 2022, was completed shortly after we had submitted that article to a scholarly journal. At the end of the post, I promised a second post addressing the peer review process. I am truly delighted to be able to provide that update now, shortly after we were notified that the article was accepted after a substantive revise and resubmit. Here, then, rather sooner than expected, I share three insights from my experience navigating peer review with my co-authors.

​The journal to which we submitted our article in November responded both quickly and prolifically, providing within two months no fewer than four (!) detailed and thoughtful readers’ reports that collectively recommended specific major revisions. I understood this to be surprisingly good news: when we had submitted to a well-respected subfield journal, I had anticipated that we would get informative rejections that would help us revise before submitting to a lower tier venue. However, it quickly dawned on me that most faculty members have very different experiences and expectations for writing feedback than undergraduates do. This was especially true for undergraduates like my co-authors, whose academic careers had been spent at a small liberal arts college they chose because of its supportive professors. In other words: the most critical comments any professor had offered on their writing had nothing on the infamous Reviewer 2!

Rebecca Evans
Rebecca McWilliams Ojala Ballard, Florida State University

What to Expect, Part I: Contextualize the Process

​The readers’ reports were generous, clearly written with an awareness that they would be read by undergraduate researchers. Even so, they did not hold back from candid criticism of the weaker parts of our argument. Before sharing the reports, then, I framed them for the students. I explained both that I had been prepared for a rejection and that this expectation was based not on any perceived weakness in their writing, but rather was my baseline expectation for first submissions. I also explicitly unpacked the differences between professorial feedback and readers’ reports, prepared them to receive less gentle comments than they had previously enjoyed, and offered my honest interpretation of the reports: that they were blunt in pointing out the areas that needed the most work, yes, but that the explicit praise they offered on matters large and small was an indication of sincere excitement about the project. Once we had talked this through, I shared the reports with them. After they had had a chance to review them, we met up in person. We began by processing the experience on a personal level, and I validated both the pride they expressed in the compliments our work had been given and what we had already achieved together, and the prickly defensiveness they admitted had flashed up at the harsher assessments. My preparation on the front end, the rapport we had built over the course of the project, and the real-time, face-to-face format in which we were debriefing made this an effective way to move past negative reactions and into the second part of our work that day: coming up with a shared list of small and large revisions to be made, delegating each revision item to the person initially responsible for drafting that section, breaking those items down into smaller scaffolded tasks, and agreeing on a timeline by which each task would be completed and shared with the group.

What to Expect, Part II: Practice the Humility You Preach

​ Many of the revisions were located in the textual readings on which the students had taken point, and identified issues common even to the most talented undergraduate writers: first, insufficient engagement with current scholarly conversations on the text or topic at hand, requiring another (focused and abbreviated!) research pass; second, slightly too opinionated responses to texts, requiring a reframing to emphasize analytic interpretation rather than personal preference. However, the reviews also suggested that at the largest scale the argumentative framework was stretched too thin, and that the opening in particular was a bit overstated, calling for a reframing to center what they all found to be the very compelling heart of the argument. This was entirely on me—the result, I think, of trying to preserve every insight that had been meaningful to our group throughout the process, rather than really honing in on the strongest arguments. Revision meant not just shepherding the students through modesty in accepting major critiques, but demonstrating that modesty myself. We talked about this openly and agreed that I would send them my revisions while they were still researching theirs, both to help guide them in targeting the newly refined argument, and to model what a real overhaul rather than surface edits looked like. All of the readers who responded to the revised article not only recommended publication with extremely minor edits, but also expressed admiration at the depth and breadth of revisions we had taken on.

What to Expect, Part III: Carry the Load

​ I will take every opportunity available to praise the intellectual maturity, enthusiasm, and dedication of my student co-authors: they are both superstars. Even so, as in the first stage of the process, I had to do a lot of project management during the R&R. The majority of our substantive work was truly collaborative, but I quickly realized that it would be much more efficient simply to take the fiddly little details on myself rather than insisting on doing everything together. Copy-editing, double-checking citations, trimming our revised piece back down to word count, and drafting the editorial memo: I asked for their review and approval of the final results, but my taking point on these saved us all a lot of time (and, I think, is only fair given that the students were at this point recent graduates with full-time jobs, while this labor was actually work toward my full-time job!).

​In all, I found the process of co-authoring with undergraduates to be both smoother and more rewarding than I had anticipated. Look out for our forthcoming article, “Collectivism as Adaptation in Climate Fiction,” in ISLE: Interdisciplinary Studies in Literature and Environment, and in particular for the first academic bylines of Southwestern University graduates Col Roche and Elena Welsh!

Note: I published my last post under the name Rebecca M. Evans.

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Co-Authoring with Undergraduates in the Humanities

I often hear that collaborative co-authored humanities research with undergraduates is a problem rather than an opportunity. My colleagues concerns aren’t entirely unreasonable. Humanities faculty publish co-authored work much less frequently than our colleagues in the natural and social sciences do. Similarly, our division (and in particular my home discipline of English) tends to frame knowledge as the result of one scholarly mind at work. This is especially acute in my subfield—contemporary literary studies—where the steps of gathering and of interpreting material happen almost simultaneously as the scholar reads the literary text. As a result, it is much harder to identify hierarchies of co-authors than in academic fields in which student collaborators take on discrete, bounded parts of the data collection and analysis processes.

In this post, I share my experience co-authoring with undergraduates as we worked on an article together, from our initial mentored research experience through submitting the piece for publication. I will speak honestly about the difficulties I encountered, but I want to emphasize the benefits it afforded—not only for the students, but for my work and thinking as well.

Rebecca Evans – Southwestern University

The project began in a collaborative and mentored research experience. Funded by my institution, two students worked with me for six weeks on a project surveying major trends across a broad corpus of “cli-fi,” or climate fiction. After a one-week calibration stage, we spent three weeks independently recording our findings in relation to a set of shared questions: representations of climate science; engagements with climate justice; discussion of adaptation and/or mitigation; relevant climate communication frameworks; and notable formal and stylistic features. During the last two weeks, all participants extended this work into their individual humanities research interests they had developed during the project: I worked on the book chapter that the research project was initially proposed to support; the two students took up, respectively, Indigenous cli-fi and climate fantasy. As our project drew to a close, we reflected on our various interests and findings, and a shared argument began to emerge. All of us were pushing in some way against the dominant critical praise of cli-fi as representing realistic futures; all of us were also finding that our texts were most, and most successfully, interested in navigating questions of community formation and collectivity in relation to climate catastrophe. Now the only outcome required by our institution was that the students present their work at annual research symposium. But the students had grown excited about the project and invested in the broader implications of the work they had begun to pursue. When I mentioned the possibility of seeking to publish, they seized on the idea of a co-authored article, and our work began. Three insights from that process on co-authoring with undergraduates are below.

What to Expect, Part I: Emergent and Evolving Arguments

Rarely do I begin writing an article without a very clear sense of the argument. This project was quite different. Because it was the combined product of three minds, it took different shapes at different points: we had to adjust and expand earlier argumentative structures that didn’t quite “fit” our shared goals; brilliant points (mostly theirs!) that detracted from the overall arc needed editing to be less central or saved for future projects. In the end, this was good for all of us. I saw how the experience cemented the value of revision and the
writing process for the students, turning them into even more mature writers and peer editors. I also found the experience useful during my own simultaneous process of working on my book manuscript, helping me to get back in the habit of rereading, realigning, and letting projects take the best shape possible, not just the shape I had initially planned.

What to Expect, Part II: Necessary Division of Labor

Undergraduate co-authors may be better prepared to write some sections than others. My co-authors produced thoughtful, purposeful, and attentive close readings; but they were less equipped to make the case about how these readings fit within larger conversations, or to articulate how these readings intervened in contemporary scholarly debates. This isn’t to say they didn’t understand the big picture! But dividing our work so that I was responsible for the argumentative frame while they tackled the readings and analysis proved immensely useful for us. Not only did we move more efficiently—I also saw how valuable it was for them to get firsthand experience with how their astute insights and instincts could develop into scholarly arguments. Subsequent drafts of the article showed how this exercise had tightened and advanced their critical voice, as they fine-tuned their individual points to fit into the broader arc. Meanwhile, papers they wrote for me in subsequent classes clarified for me how formative this experience was to their confidence and their ability to tackle more ambitious arguments.

What to Expect, Part III: Slow and Unsteady Pacing

Like many humanists, I’m accustomed to working largely at my own pace, with whatever lapses and sprints that my schedule (and my relationship to the projects in question!) demands. Co-authoring with undergraduates means all of the pauses that are inevitable when different schedules collide—delays that many of us may have experienced mostly on the editorial end of things, and are only exacerbated by the fact that undergraduate co-authors are juggling even
more obligations, with even less extrinsic motivation to finish an academic article. My student co-authors were organized, dedicated, and eminently responsible. Even so, things moved slowly, and required consistent project management and strategic long-term scheduling on my end. The downside: those on tight tenure clocks may not find this to be the most efficient path toward a publication line. The upside: this project benefited immensely from time and perspective and helped me remember the profound value of sitting with ideas and delving into them rather than rushing.

As of this point, we have completed a draft of the article and are preparing to submit it to an academic journal. Stay tuned for an update post on the blog reflecting on the experience of navigating peer review while co-authoring with undergraduates in humanities research!

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