Category Archives: News

Physics, Philosophy, and the Nature of Time

Interdisciplinary research projects offer innovative approaches to making work in the arts and humanities more visible. Zach Zito, a student at Utah State University, has been working hard on a project that combines physics and philosophy. His work focuses on quantum mechanics and relativity of time. We reached out to him for an interview to learn more about his research.

CURAH: What is the nature of your research?

ZZ: I have the privilege of engaging in research with Dr. Brittany Gentry (philosophy) and Dr. Charles Torre (physics). Our research centers on the role of time in physical systems. It is an interdisciplinary endeavor, drawing heavily on concepts from the relevant philosophic literature as well as modern physical theories.

From Aristotle to Newton to Einstein, great thinkers have established diverse ways of viewing the physical word based on different conceptualizations of time’s nature. In physics, one’s assumptions about the nature of time play a role in how scientific theories are structured. Interestingly, two of today’s most important disciplines within physics — relativity (which describes the cosmos) and quantum mechanics (which describes the sub-atomic) — make use of different and irreconcilable notions of time. This is puzzling because both theories make remarkably accurate predictions and are fundamental to modern technology and our understanding of the universe. How could two theories, both of which serve us so well, contradict one another? This is the question at the heart of our research.

Digging into the literature, we thought hard about the metaphysical status of time: what we are truly referring to when we speak about temporarily. Inspired by the work of Barbour and Bernoulli (two prominent physicists), we set out to find a way to describe particle systems (not unlike those studied in quantum mechanics) in a manner that is in harmony with the findings of relativity. We have made some promising advances in this regard. Today, we are working on establishing canonical methods for defining a relativistic rime metric in systems that share more and more qualities with full-fledged quantum mechanical systems.

CURAH: What were the easiest and hardest things about the work you did?

ZZ: Philosophers and physicists alike have been thinking about the metaphysics of time for… quite some time. This made it relatively easy to find high quality literature related to the subject in question. We looked at several works from prominent thinkers to round-out and purify our conception of clocks, motion, and time to establish a solid basis on which to proceed. the most difficult part was synthesizing all the material, crystallizing our findings into mathematical expressions and robust metaphysical explanations to describe our models. Despite the difficulty, Dr. Torre, Dr. Gentry, and so many great thinkers before us, we were able to come to a satisfying conclusion.

CURAH: What kinds of things did you learn? (about your topic, about scholarship, or about yourself)

During this research, I had the opportunity to learn more about the existing literature on the philosophy of time and change as well as advanced methods in physics for analyzing and describing systems. Particularly, I learned about the intricate relationship between temporal succession and motion and about the importance of symmetries and conserved quantities in physics. This alone felt like a top-rate educational experience and affected the way I see the world around me and how I interact with the academic disciplines of philosophy and physics. On a deeper level, I learned how engaging serious investigation into deep questions can be. I was surprised at the high level of collaboration that took place across disciplinary, spatial, and temporal boundaries. I hope to continue to participate in this ongoing conversation, exploring the secretes that nature has in store through creative synthesis of experience, mathematical rigor, and careful consideration.”

CURAH: Did you make any discoveries along the way?

ZZ: Yes! We established a framework through which to view change, time, and matter and discovered an equation that describes simple motion in a model-universe without reference to the type of “assumed” time that relativity theory demands we abandon. Functionally, we found a way to mathematically convert a complicated combination of measurements into a clock which is internal to the system under study. We did this by examining the quantities of the systems that are conserved due to symmetries and exploiting them to craft a mathematical clock. This means that in principle, systems can be coherently understood without external reference, suggesting that a deeper understanding of the very early universe may prove accessible. As of now, we are searching for a similar result that can be applied to more complex systems involving quantum properties and more interacting particles.

CURAH: How has the project helped you in your career goals?

ZZ: This project allowed me to grow personally and learn a great deal about unique spaces in physics and philosophy and about research in general. Because my career goals include future work in both philosophy and physics research, this project has been of utmost value to me in that regard. This project has also given me a look into the details of research work in these fields, which helped give me a better sense of what exactly I’d like to focus on in my career and hence what I should be studying and investigating now in preparation.

Zach Zito talking with his Physics and Philosophy mentors about his research.

Interested in hearing about more undergraduate students and their research? Check out our page dedicated to these profiles!

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New Summer Internship Program – apply by Feb. 6

Looking for a summer internship? Historic Deerfield is offering a nine-week long internship program! Their program is free of tuition or program fees.

Historic Deerfield’s is located in Western Massachusetts in the Connecticut River Valley. This summer internship program is centered around the history of the area as well as the history of New England. The 7 selected applicants will be able to spend their time studying history and material culture. While in the program, you get to live in the Creelman house in the historic village during the nine week program and see behind-the-scenes of museums and other historic sites. At the conclusion of the program, you will also be able to take a week-long road trip!

The nine-week program is set for June 5th-August 7th, 2023. This summer internship opportunity is asking that applications be submitted by February 6th, 2023. If you are interested in applying follow this link: https://www.historic-deerfield.org/how-to-apply.

Not sure this one is right for you, but still are looking for an internship? Check out our list of new summer research experience opportunities to see if there is a good fit for you!

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Winner of Sticker Design

The Arts & Humanities division is proud to announce the winner of our small sticker design competition. Ahna Huff, a student at Redford University, submitted the following design.

Honorable mentions go to Angela Elgawli, Cassandra Tubwell, Michelle Villanueva, Rebekah Hollar, and Brannen Howard.

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Design competition for sticker. Winner gets a prize!

You could win a prize in this design competition. CUR’s Arts & Humanities Division is asking undergraduates to send in their own creative designs for a sticker promoting the division’s website, curartsandhumanities.org . If your sticker is the winner, you will receive a $250 gift certificate to Blick Art Supplies!

Here are some things you may wish to keep in mind when creating your sticker for this design competition. The Arts & Humanities division of CUR, or “CURAH”is committed to encouraging undergraduate scholarship and creative inquiry. As a result, we provide many opportunities for networking while also supporting visitors with our ever-growing pool of resources. We also have an active blog you can follow. Check out some of the newest research from undergraduates across the nation.

Designs should be fun and creative. We’re looking for something anyone would be happy to put on a water bottle, a laptop, or even their car window. Here are the requirements for the design competition:

  • TIFF, JPG, or PNG format
  • Larger than 700×700 pixels
  • Encourages the viewers to go to the site: curartsandhumanities.org
  • Lettering should be in Lato bold font.
  • Uses color scheme below
  • Includes the CUR logo below in the design (any size) – (note, if the logo is over a dark background, you may invert it to white)

Please send your design to editors@curartsandhumanities.org by December 15th, 2022

Approved colors for design completion
CUR logo for design competition
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Invitation to become a CUR councilor for the Arts & Humanities

I’d like to invite all Arts & Humanities Division members to become a CUR councilor in the Arts and Humanities Division. This is a wonderful national leadership opportunity, and it also has lots of personal benefits for you. In this very brief video, I and two of our current councilors reflect on what we’ve gotten from being a CUR councilor. https://youtu.be/wtL6xvNaACw


Don’t feel that you need to be an expert on undergraduate scholarship or creative inquiry to apply; all you need is to care about research and mentorship of students in the Arts & Humanities. The self-nomination is easy, and there are many seats available: https://www.surveymonkey.com/r/6T7TMK6

Please reach out to me if you have any questions. I’m happy to talk about this wonderful experience and our welcoming community of CUR councilors. 


Regards,
Amy Woodbury Tease
Chair, CUR Arts & Humanities Division
awtease@norwich.edu

Trimmer Travel Award Applications Due March 22

CURAH’s Trimmer Travel fund, made possible by a generous donation from Joe and Carol Trimmer, supports an annual travel award to help undergraduates travel to present their work at conferences in the Arts and Humanities. Applications are invited through March 22, 2022. The award is up to $1000.

How to Apply

Here is the link to the Travel Award application on the CUR National site. Students will need a free(!) membership to CUR to use the application portal. They can apply for their free membership here.

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Help Your students apply to Posters on the Hill – Deadline is December 13

The portal for student applications to CUR’s Posters on the Hill program is now open. The event itself will take place virtually in the spring of , 2022 (the date will depend on the agenda of Congress). This is a highly competitive program but very friendly to the arts and humanities. In 2018, for example, only 60 of 409 total submissions made the program, but proposals in the arts and humanities face slightly better odds: four out the seventeen proposals in the humanities were successful! With a little help from you, your students can successfully apply to Posters on the Hill this year!

The application process may not easy for your students. As their mentor you will have an important role. Two items on the CURAH resource page can be helpful: “how to write an abstract” and “how to make a poster.” The latter is particularly useful since posters are not a common form of presentation in the arts and humanities. Fortunately, our disciplines actually provide the background and skills for extremely compelling visual presentations of scholarship and creative activity.

As you help your students apply to Posters on the Hill, keep in mind that the event is partly an exercise in advocacy for undergraduate research, scholarship, and creative activity. Posters will be seen by Senators, Congressional Representatives, Congressional Staff, officers from the NEH and NEA, and the Press. The selection committee pays careful attention to the interests of your State Representatives. These usually have something to do with the unique resources and economic contributions of your state. But truly excellent and unusual student work on any project has a good chance of success. Don’t let the advocacy issues stop you; make sure your best students apply to Posters on the Hill. Participation is a wonderful opportunity. Students have an opportunity to meet with their Representatives, attend field trips, and hear from speakers who are innovators and supporters of undergraduate research.

Special Poster Session at CAA 2021

A special virtual poster session dedicated to undergraduate research in Art and Art History has been announced for the 2021 Annual Conference of the College Art Association (CAA), to be held February 10–13, 2021. Students who have been engaged in undergraduate research in object or medium studies, text-based analysis, experimental archaeology, thesis research, or creative inquiry are encouraged to participate; additionally, faculty and museum professionals with experience mentoring undergraduate research on this topics are invited to submit proposals.

Further information is available at this webpage; the deadline for submission is November 23, 2020.

Want to make an exciting poster for CAA 2021? We’re here to help!

Research-Based Courses for Second-Semester Freshmen

By Anne Donnelly, University of Florida

Last year the University of Florida’s Center for Undergraduate Research had the opportunity to jump start Course-Based Undergraduate Research Experience (CURE) classes designed specifically for second semester freshmen.  The CURE@UF initiative used a small internal grant to provide course development and course materials. The grant also allowed us to hire a Graduate Innovator to assist students with the research project. We modeled this position after the University of North Carolina Chapel Hill’s Graduate Research Consultant.

Getting Ready

Faculty were recruited via email; in the first year 14 faculty responded.  In year two, 8 faculty continued, and an additional 7 faculty (along with 21 in engineering) joined.  CUR@UF was also able to hire a Post Doc to assist faculty with course development. She offered a series of workshops in the fall to help faculty through the process.  Last year, we placed 172 students in CURE classes. This year we placed 258. The majority of the classes were STEM and included physics, chemistry, biological sciences, genetics, entomology and horticulture.  Each year the College of Education offered one class: Big Data, and Behavioral Economics. This year we added a class in Business Research. In addtion, we began working with the Herbert Wertheim College of Engineering.

Creating Disciplinary Diversity

We wanted to offer a mix of disciplines. Notably, the UF College of the Arts has a robust Center for Arts In Medicine.  Its mission is to advance research, education, and practice in arts in medicine. This mission fosters interdisciplinary collaborations across campus that support arts in health.  We offered two exciting CURE classes through the Center last year, one of which we offered again this year.  

The first course, titled Museums, Veterans and Wellbeing: Measuring the Impact, is an arts in health course, taught by Heather Spooner, an art therapist who works with rural veterans via telehealth creative arts.  Spooner’s course introduces students to survey-based research. In its first iteration an interdisciplinary team of six students worked with a Graduate Innovator to analyze a survey given to veterans at the Lowe Art Museum in Miami. Working with the Director of Education at the Lowe Art Museum, the class used thematic analysis to code responses to the survey and conducted a literature review to create a new survey for an upcoming veteran event. These students presented their work at the UF Undergraduate Research Symposium. One student continued to work on the project and is currently working on a publication.  

Real-World Issues

The second College of the Arts course, titled Cultural programming and Addiction in America, analyzes the effect spaces have on the opioid epidemic. Taught by Craig Smith, an artist who works with relational art and photography, this course introduced students to research via a seminar/lab hybrid learning environment, measuring the impact of visual and environmental stimuli on both treatment and stigma for patients as well as providers.

Nine students from various backgrounds worked together with a Graduate Innovator to research population centers and civic authorities concerned with the opioid epidemic in the United States. An exceptional part of the class was that Dr. Craig arranged for Mr. Colin Beatty, CEO of Column Health, and Mr. James McIntyre, COO of Column Health to visit the students. These visits gave the CURE students an appreciation for the real-world application of the research they were conducting. This year, Dr. Smith is continuing to teach this course to 14 new freshmen.  Furthermore, the students in this class presented at the Symposium.

Cultural Programming and Addiction in America
Dr. Craig Smith, Associate Professor
School of Art + Art History
College of the Arts

Measuring Impact

All of the CURE classes used the Research on Learning and Education (ROLE)  Survey developed by Dr. David Lopatto.  The students in last year’s Arts in Medicine classes reported above average gains the following skills:  propose hypothesis and plan research, acquire and analyze information, and read and understand primary literature. Additionally, they indicated an above average gain in readiness for more demanding research.

Moving forward, CUR is planning on actively recruiting additional arts and humanities faculty to join CURE@UF.

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Taking a Small Conference Online: Lessons from the Michigan Medieval and Renaissance Undergraduate Consortium

Large academic conferences all over the country, including NCUR have canceled their 2020 events in advance of the pandemic. But some have begun to think about ways of moving events online. These might include everything from annual campus celebrations of student research to regional conference. An example is the Michigan Medieval and Renaissance Undergraduate Consortium (MMRUC), coordinated by Marla Lunderberg at Hope College. She decided early to go online for both posters and presentations. The event took place on its original date, March 28, using Google Meet.

Challenges and Opportunities

Many of the challenges Lunderberg faced were the same as those faculty faced in suddenly moving to online teaching. “My own entry to synchronous online teaching was on March 23,” Lunderberg said, “so the week that we were organizing the event and offering students guidelines for presentation etiquette in general and online presentations in particular, I was far from an expert in online work.” But in some ways those challenges made the conference possible. Initially, few participants responded when Lunderberg suggested holding the conference online instead of canceling it. Then, she said, “everyone suddenly realized that their online experience was working, and that they had the time and energy to pull off the move to making this happen.”

The online format also allowed Lunderberg to put things together quickly. Many participants waited until three days before the event to signal their willingness to continue. As a result, Lunderberg said, “I had a couple of long nights sending out encouraging instructions and scheduling practice sessions so students could feel comfortable with the technology on the morning of the event.”

Successful Discussion

Students and faculty from four different institutions ended up participating throughout the day. One concern was that student might appear to present their work and then log off, but that didn’t happen. “I was especially pleased with students’ participation in the Q&A sessions following each paper presentation,” said Lunderberg. “They were receptive to the concept that participation in a conference means entering into conversation about the material they’ve researched with others who also cared about that material–and the Q&A sessions showed their engagement with their material.”

Anna Scott receives applause in the chat window during the online conference.
Anna Scott receives applause in the chat window.

Presenter Anna Scott, whose project was on “Love as a Weapon in Shakespeare” said, “what I liked best about the conference was probably the interactive way in which we as students and teachers could engage. I could answer questions from my peers and professors and connect with the comments of others even though we were not face to face. I thought everyone was really patient and encouraging. Even though it wasn’t a traditional setting, it was a great first conference experience for me.”

Poster Presentations online

Ordinarily, posters require careful set-up organization, but the online format can actually make poster presentations easier. Several students had intended to present posters at the initial face-to-face meeting. Some chose to turn the poster into a presentation. Others shared their poster with the group before the conference, allowing participants to prepare questions. “I’d certainly offer this choice in the future,” Lunderberg said. “Both options offered the students a great opportunity to demonstrate knowledge of their topics by responding to questions and engaging in conversation.”

Recommendations

As Lunderberg reflected on the experience, she said, “I think it’s important to think about the goals one wants to achieve through this or any other event, and then to think about how those goals might best be achieved in spite of a change of format.”

Communication with participants is as important in a conference as it is in online teaching. “Students feel best about their own work entering new territory if they have some idea what they are aiming to achieve,” said Lunderberg.

And finally, it’s important “to have a sense of humor about whatever might not go as planned.”

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