Two excellent signs of the College Art Association’s increasing awareness and support of UR as a high-impact practice!

1.  Sara Orel, and I  have been chosen to lead a professional development workshop at CAA’s Annual Conference in New York, February 17, 2017. Here’s a description
   Undergraduate Research and Teaching Excellence in Art and Art History
   Leader(s): Alexa Sand, Utah State University; and Sara Orel, Truman State University
   Friday, 02/17/17: 10:30 AM–12:00 PM, Concourse E, New York Hilton MidtownIn his paradigm-shifting 2008 study, High-impact educational practices: What they are, who has access to them, and why they matter, George Kuh made a compelling case for engaging students from all disciplines in research experience from a very early stage in their education; benefits include greater retention of at-risk students, increased learning outcomes, and improved student engagement. In the humanities, where individual research based on years of specialist training is the norm, this insight has been more challenging to incorporate into pedagogical methods than in the sciences. Meanwhile, for the arts, where teaching has always focused on learning-by-doing, opportunities have been missed due to incongruities of language – creative work is not widely understood as “research” per se. This workshop, led by two long-time members of the Council on Undergraduate Research’s Division of Arts and Humanities, focuses on best practices, challenges, and advocacy issues relating to undergraduate research in art and art history departments. We will investigate individual curricular modules (lesson plans, assignments, and course syllabi) focused on research-based learning, discuss how to institutionalize and build a culture of undergraduate research, and explore funding and partnership models to support the incorporation of undergraduate research in art and art history curricula. Participants at all levels of experience with undergraduate research are welcome; the ultimate goal of the workshop is to create an ongoing discussion between art and art history educators that will produce a more inclusive and more dynamic approach to pedagogy and mentorship in our fields.

   Potential Subjects Covered: Pedagogy-Educational Strategies-Teaching Methodology
   Required Materials: All participants should bring 3 copies of a lesson plan, syllabus, or program curriculum that you think could be enriched with greater attention to and more rigorous assessment of undergraduate research based learning. This can be something you are already using, or something you wish to develop and implement in the future.
   Registration for this workshop capped at: 24

2. The following day, Saturday, February 18, 2017, will feature an undergraduate-focused lunch-time session dedicated to undergraduate posters on the nexus of food and art history. Undergraduate art and art history students can attend for free! This innovative “welcome to the discipline” event is co-sponsored by the groundbreaking group ArtHistoryThat founded by Amy Hamlin and Karen Leader, and the fabulous online collaboratory Art History Teaching Resources. Here’s the CFP — please circulate it to your art history colleagues. And while you’re chewing on that, check out this page of food-centric art history assignments and bibliography from AHTR.