Category Archives: Online sources

New Summer Internship Program – apply by Feb. 6

Looking for a summer internship? Historic Deerfield is offering a nine-week long internship program! Their program is free of tuition or program fees.

Historic Deerfield’s is located in Western Massachusetts in the Connecticut River Valley. This summer internship program is centered around the history of the area as well as the history of New England. The 7 selected applicants will be able to spend their time studying history and material culture. While in the program, you get to live in the Creelman house in the historic village during the nine week program and see behind-the-scenes of museums and other historic sites. At the conclusion of the program, you will also be able to take a week-long road trip!

The nine-week program is set for June 5th-August 7th, 2023. This summer internship opportunity is asking that applications be submitted by February 6th, 2023. If you are interested in applying follow this link: https://www.historic-deerfield.org/how-to-apply.

Not sure this one is right for you, but still are looking for an internship? Check out our list of new summer research experience opportunities to see if there is a good fit for you!

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New Resource Lists Undergraduate Summer Research Experience Opportunities in the Arts and Humanities

If you’re lucky, your own campus will have wonderful paid summer opportunities to work on scholarly or creative projects. Nothing beats working with a faculty mentor who will follow you through your college career. But these opportunities might not be available, or you might like to cast your net wider. There are a number of regional and national summer research opportunities in the arts and humanities. Thanks to the work of our Councilors, CURAH now maintains a sortable database of summer research opportunities in the Arts and Humanities. We foreground the basic information that many websites keep in the fine print like application deadlines and whether or not the program comes with a salary or stipend.

We’ve included only options that seem to us to fit CUR’s description of undergraduate research: mentored, original, and leading to disseminated outcomes. Some of these experiences may be called “internships,” but we’ve eliminated anything that is just a job. If you need to write a proposal to apply for anything, consider CURAH’s excellent advice on writing a proposal. Application deadlines come thick and fast from December through February, so don’t dawdle.

We’re adding new opportunities constantly. If you know of a summer opportunity for undergraduates in your field, please let us know.

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Assessing Undergraduate Research in the Arts and Humanities

As teachers and administrators, we assess our students. We test them to measure their understanding of material. We ask them to write essays to show their ability to construct a scholarly argument. And we have them do research to establish their place in the study of a particular problem. In each case, we provide students with feedback. Some of this is formative: designed to highlight the strengths and weaknesses with the goal of improving performance on the next such assignment. Other feedback is summative, often in the form of grades. The British use the term “assessment” for these activities.

In the United States, however, the term frequently refers to the use of student work for program or course improvement. This should be just as constructive as grading students in a class. But this idea of assessment often seems to carry a negative connotation. Many faculty roll their eyes whenever the topic arises. This is in part because they know that assessment might be used for purposes it was not designed for. Some faculty fear that administrators might use assessment results to reward or terminate faculty. There is a concern that assessment might direct funding or provide talking points in service of some institutional agenda. Just as often and equally damaging, the eye-rolling results from past experience. At times, institutions have collected assessment data without a clear purpose. As a result, stacks of paper moldered in forgotten offices, and electronic files gathered virtual dust on neglected shared drives.

Step One: What Do You Want To Know?

So, to reclaim assessment as a beneficial component of program building, let us examine what assessment can do for you. We will begin with the question that should be at the forefront of any assessment discussion: “What do you want to know?” The answer to this deceptively simple question should lead to a discussion of how best to answer the question. This is the beginning of constructing a worthwhile assessment. One way that assessment differs from just asking questions is that with assessment there is a means to answer the question beyond simple anecdote.

An example of such a process comes from the assessment of the impact of undergraduate research. In a study of the effects of presenting at the Undergraduate Research Conference on students at the University of New Hampshire, the five investigators set out to answer these two questions:

  1. How do current students perceive the URC impacting their undergraduate experience?
  2. How do current students perceive their mentors’ role in their academic/research experience?

The investigators sent surveys to each presenter. Using a combination of closed-ended and open-ended questions, they collected both quantitative and qualitative data. The quantitative data included student responses using a Likert scale to measure the impact of presenting at the URC on their overall skills and confidence in such aspects as public speaking and taking initiative; they analyzed these responses using statistical methodologies. The qualitative data came from answers to open-ended questions about faculty mentoring and students’ most memorable URC experience. These answers were read and categorized by several individuals and shared themes identified. By coding these themes, the investigators were able to analyze these qualitative data using quantitative methodologies.

Step Two: How Will You Know It?

In constructing a research question, it helps significantly if one conceptualizes a potential way to answer the question as one develops it. These potential ways might include surveys, or evaluation of student-generated artifacts such as capstone work or portfolios of research or creative writing, translation, music performance, and/or artwork.

A case in point for the use of student-generated artifacts in program assessment: the first five-year program review of the newly established Art History major at Truman State University, my home institution. We had changed the way we taught a senior thesis in Art History. For example, we moved from one semester with six hours of credit for completion of a thesis, to making the project two semesters, with one three-hour class each semester.

Our major question was whether the theses were showing improvement as a result of the changes, and in what ways. To answer this question, we needed to find measures of quality other than grades. For example, one such improvement could be in the level of ambition in the research. This quality might show up in bibliographies that included both primary and secondary materials, longer and more complete listings of sources, and scholarly articles as well as more general sources. In turn, the improved bibliography might coincide with more sophisticated and more challenging thesis questions. This can lead to more ambitious thesis statements, and hence longer theses.

By gathering data on these two factors, we were able to suggest that the changes we made in the major resulted in improvements. In our study of ten years of data, we found that the length of the average thesis more than doubled immediately after the move from one semester to two. Further, the variety and number of bibliographic sources increased over the ten years under study.

I Need Help! Where Might I Find It?

In the arts and humanities there are several examples and discussions of disciplinary-based assessments and assessment strategies. Here is CURAH’s sampling of some of the resources out there for many of the disciplines collected in the Arts and Humanities Division of CUR, grouped by discipline. Even if one resource is not in your discipline, it is worth looking at what other areas are doing.

Help Your Students Write Better Research Papers With These Online Resources

Maybe you assign a single, hefty term paper, or perhaps a series of shorter, cumulative assignments, but either way, whatever your humanities or arts discipline, if it involves research-based writing, you’re going to run into some rough stuff. As professors, it is easy for us to forget, or just not to know, how very difficult this kind of writing (and the reading that subtends it) can be for students unfamiliar with the scholarly idiom.

Here are some online sources to help your arts and humanities students write better research papers by familiarizing them with the methods, standards, and language of scholarly research-based writing early on.

  • OWL from Purdue: https://owl.purdue.edu/owl/purdue_owl.html  This is a well-organized and easily usable source of information on what makes good writing good.
  • Marjorie Munsterberg’s Writing About Art: https://writingaboutart.org/ Obviously, more specific to art history, but a very comprehensive and quite sophisticated overview of the types of writing that one might do when confronting visual material
  • Writing a Research paper in the Humanities, from Yale: https://ctl.yale.edu/sites/default/files/files/LPaul_Humanities.pdf Short, sweet, and general, a great class handout.
  • USC Library “LibGuide” on Organizing Research for Arts and Humanities Papers and Theses: http://libguides.usc.edu/c.php?g=235208&p=1560692 Probably the most detailed guide I’ve found to things like figuring out what’s a scholarly source and what’s not, how to embed citations, where to look for different types of sources, as well as the writing process.
  • Grammar Girl Quick and Dirty Tips https://www.quickanddirtytips.com/education/grammar Just the most amusing online guide to style, grammar, and other linguistic refinements, for example, the difference between “affect” and “effect.”

And of course, don’t forget that most of the major style guides for writers in the humanities and arts are available online, either openly or through a library portal:

  • Chicago Manual of Style: although you need a subscription (many academic libraries provide access), the “Quick Guide” to citation is available for free — https://www.chicagomanualofstyle.org/tools_citationguide.html
  • MLA Style: also available by subscription (or $15 for the print version of the current edition), but linked to a quite helpful set of online tools, including resources for teaching style in the classroom, sample papers, and an interactive citation formatting tool — https://style.mla.org/

Finally, that elegant classic, Strunk and White’s The Elements of Style, is available in (copyright clearance dubious) electronic form in several different editions, or in paperback form for mere pennies.

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